![]() ![]() Chief among the extras here is the rocker “Helen Wheels,” a single that was also included on the original U.S. version of the album on disc one and nine non-LP cuts and rarities on the second CD. The 2010 deluxe edition of Band on the Run contains a remastered version of the original nine-track U.K. No matter how elaborate the production is, or how cleverly his mini-suites are constructed, Band on the Run is nothing more than a triumph of showmanship. However, there's little of real substance on the record. Vandebilt" or "Let Me Roll It," a silly response to John Lennon's "How Do You Sleep?," which does make Band on the Run one of McCartney's finest solo efforts. ![]() Still, the record is enjoyable, whether it's the minor-key "Mrs. Yet McCartney's melodies are more consistent than any of his previous solo records, and there are no throwaways the songs just happen to be not very good. While a handful of the songs are excellent - the surging, inspired surrealism of "Jet" is by far one of his best solo recordings, "Bluebird" is sunny acoustic pop, and "Helen Wheels" captures McCartney rocking with abandon - most of the songs are more style than substance. McCartney's talent for songcraft and nuanced arrangements is in ample display throughout the record, which makes many of the songs - including the nonsensical title track - sound more substantial than they actually are. On the surface, Band on the Run appears to be constructed as a song cycle in the vein of Abbey Road, but subsequent listens reveal that the only similarities the two albums share are simply superficial. Neither the dippy, rustic Wild Life nor the slick AOR flourishes of Red Rose Speedway earned Paul McCartney much respect, so he made the self-consciously ambitious Band on the Run to rebuke his critics. ![]()
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